Oracular Theatre
It was a series of physical props, moving image works and a role play method/kit ‘low-fi sci-fi’ which has 8 storylines and atmospheres, 16 characters, a series of video call backdrops and a workshop process for players/participants without any experience of either improv or role play.
— Michaela Joffe, from Videogames of the Oppressed
“Side trips and reversals are precisely what minds stuck in forward gear most need”
— Ursula K. Le Guin,
in The Wanderer
The ‘oracular’ refers to something obscure, prophetic or prognostic, cryptic or puzzling — a kind of anticipatory vision that may hold warning, insight or conjecture. This work developed in the wake of the surreal, tumultuous and tragic now tangles visual phenomena, atmospheric clues and elements of narrative from everyday life with others which are far more speculative but possibly located in our not too distant futures.
The 2m rule, bunkers for the super rich, hotels repurposed as shelters, essential work/ers, 50% unemployment, Amazon warehouses designed to ‘disappear’ into the landscape or drones that can tell what you're watching on Netflix, Menwith Hill’s polygons gathering secret intelligence from the sky or warnings in theme parks to ‘scream inside your hearts’ to avoid the spread of germs… the list is constantly growing and evolving...
Oracular Theatre is both a fictional and real occupation of the present, with others.
An embodied mode of storytelling
that embraces happenstance and utilises abstracted forms relative to the complex systems that define political reality.
Play as a method of critique.
With thanks to:
Craven Arts (Skipton), Arts Council England and Craven Council. Fresh Perspective (workshop hosts) and Low-Fi Sci-Fi players. Samra Mayanja (voice acting) and Andrew Walker (3D CGI). Bella Milroy (closed captions) and Kieran Ryan (voice narration of audio descriptions) Images by: Jules Lister.